An artistic exploration of archaeological theory
Andrew Cochrane (Cardiff University) Ian Russell (Trinity College, Dublin)
The pieces in this exhibition seek to contest traditional mechanisms for representation and spectatorship by questioning the status that visual images occupy in archaeological discourse. Photomosaics of iconic archaeologists and archaeological objects are constructed through the manufacture of archives and archaeological records of public images available over internet search engines. This digital ‘excavation’ of what is traditionally an unarchived public space marks the beginnings of a digital archaeological practice.
Inspired by Joan Foncuberta’s series of Googlegrams (2005), we call into question the ways in which archaeologists position themselves and their work within contemporary society. By juxtaposing the figures of archaeologists or archaeological artefacts with a collage of public images, the pieces reveal the manufacture of representations of archaeological identities (of archaeologists) and that of the artefacts and monuments with which they work. In addition, through the use of the world wide web and freeware, they also challenge the role that digital media are playing in the fabrication of collective archaeological visual memory, interpretation, and mediated information. Rather than merely engaging in the pasts as archaeology has previously presented them to us, views are disrupted, interrupted and displaced.

During digital ‘excavation’ records are kept of the location, context, and dimensions of each available image in order to produce an ‘archaeological record’ detailing the point in time when the search occurred. This seeks to enhance archaeological practice to confront a world which is rapidly becoming saturated by fluid and transient systems of information. In these works, Google Image searches are utilised to amass libraries of images by employing generalised search terms with no artistic intervention. These libraries are then fed through Easy Mosaic 2005 v1.2 to produce a pixel system which manufactures the original images of archaeologists and objects.
Each (in)dividual piece subverts and parodies notions of ‘truth’ in archaeology and the veracity of dominant images in the construction of the past and present, memory, identity, gender, emotion and agency. Such a reflexive approach generates connections between unfamiliar essences, resulting in ruptured and fragmented yet dynamic archaeologies, histories and representations.
This exhibition will be composed of between three to five 1m x 1.5m mounted images with accompanying titles cards and a separate poster introducing the exhibition.
Confirmed exhibitions include:
♦ EAA 2006. 19th – 24th September. IAE, Cracow, Poland
♦ CHAT 2006. 10th – 12th November. Bristol University
♦ TAG 2006. 15th – 17th December. University of Exeter
♦ Resisting Archaeology 2007. 17th -20th May. Uppsala University, Sweden
♦ WAC 2007. 20th -27th May. University of the West Indies, Jamaica
Full text version forthcoming with the Cambridge Archaeology Journal February 2007.