Studio Michael Shanks ~ Stanford

research creation – archaeology at Stanford+

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Author: Maria O'Connell

The Riddle of the Labyrinth: Translation, Imagination and Archaeology

June 19, 2014July 9, 2016 by Maria O'Connell

by Maria O’Connell “The Linear B tablets have a stark beauty. Some have smooth, charcoal-gray surfaces resembling slate, others are reddish brown, still others are bright orange. (The color depends on the level of oxygen to which they were exposed when the palace burned down)…On the backs of the tablets…scribes left traces of themselves in the…

Posted in Uncategorized

The Futility of All Ambition: Humanity, Language, and the Affront of Ruined Archives

September 29, 2013 by Maria O'Connell

H.G. Wells has an entire ruined museum complex in his novel, The Time Machine (1895). The “Palace of Green Porcelain” contains glass cabinets and numerous specimens, all of which, including the machinery and animal skeletons on display, interest the narrator because he wants to learn about the development of the world in the future. However,…

Posted in ruins

Ruins and Memory: Cormac McCarthy’s Archaeological Imagination

December 28, 2012January 9, 2017 by Maria O'Connell

Cormac McCarthy is a writer whose novels are haunted by ruins, whether the remains of an old inn in his first novel, or the recent ruins of a destroyed world in his last. His characters find petroglyphs, mummies, and ruined villages strewn along their path. He never gives any kind of exact detail about their…

Posted in ruins

About this site

archaeolog.Stanford.edu

Studio Michael Shanks

An archaeology lab at Stanford University.

A network of collaboration and commentary offering archaeological insights into the shape of history, change and innovation, design and creativity.

Informing the future.

[Link – personal site – mshanks.com]

Contact

michael.shanks @ stanford . edu

mshanks.com

archaeographer.com

Building 500, Stanford University, CA 94305 USA