Mike Pearson

Mike Pearson died last week. He was a performance artist, theatre director, theorist and philosopher, scholar and teacher. And, as composer John Hardy said, Mike collaborated and connected – visual design, architectural stagecraft, poets, playwrights, composers, experimental jazz musicians, dancers, disability & gender specialists, comics, community art conveners, museum curators, traditional Japanese theatre performers, Patagonian farmers,…

Studio update – Spring 2022

This academic year I am on sabbatical leave finishing three long-running projects and planning to focus more on applications of the archaeological imagination to matters of common and pressing contemporary concern, especially through design foresight and futures literacy. This is why I have put to one side my critical commentary on all things archaeological and…

memory and return – Tri Bywyd (Three Lives) 1995

On the return of the past: document, memory, and archive. Katie Pearl (theatre director and professor at Wesleyan – see her extraordinary work here – [Link]) recently got in touch asking about the performance in Wales in 1995 of Tri Bywyd (translation – Three Lives), a work of theatre/archaeology by arts company Brith Gof. Specifically…

Update – the actuality of the archaeological past

Michael Shanks writes. Welcome to a new, and long overdue, website sharing the work of our studio/lab at Stanford. In this contemporary condition of global stasis I offer some orientation on the lab’s projects, past and ongoing. [Link – a talk for SAP Moscow on global crisis April 2020] Current projects – [Link] Research Creation…

OUTPOST exhibition | Call for contributions

Sara Perry (University of Southampton) s.e.perry@soton.ac.uk Ian Kirkpatrick (University of Southampton) iankirkpatrick@shaw.ca OUTPOST Curators: Ian Kirkpatrick & Sara Perry University of Southampton 18-19 April 2011 Deadline for proposals: 23 March 2011 Poster presentations have become ubiquitous features of archaeological conferences, acting simultaneously as informational, decorative, architectural, and ritual devices. In their supposed succinctness they can…