Mike Pearson

Mike Pearson died last week. He was a performance artist, theatre director, theorist and philosopher, scholar and teacher. And, as composer John Hardy said, Mike collaborated and connected – visual design, architectural stagecraft, poets, playwrights, composers, experimental jazz musicians, dancers, disability & gender specialists, comics, community art conveners, museum curators, traditional Japanese theatre performers, Patagonian farmers,…

Studio update – Spring 2022

This academic year I am on sabbatical leave finishing three long-running projects and planning to focus more on applications of the archaeological imagination to matters of common and pressing contemporary concern, especially through design foresight and futures literacy. This is why I have put to one side my critical commentary on all things archaeological and…

Theoretical Archaeology Group (TAG) North America 2016 | Bolder Theory

Call for Sessions North American Theoretical Archaeology Group (TAG) 2016 Theme: “Bolder Theory: time, matter, ontology and the archaeological difference”  We have all been inspired by theory. At one stage or another in our archaeological careers, we’ve encountered thinking that prompted us to ask new questions, work with new models and heuristics, pursue new lines…

Theoretical Archaeology Group_Turkey 2014

Just received the announcement for the next TAG_Turkey from Kenan Eren: The second annual Theoretical Archaeology Group_Turkey meetings  will be held on 27-28 November at Mimar Sinan University (İstanbul). TAG_T2 will be open to papers that explore ways of defining the interaction of things and their interrelation with other things and humans symmetrically at different…

Double Vision: Imagines, Simulacra, Replicas

A session at the US TAG 2013, Chicago Co-organizers: Alicia Jiménez (alicia.jimenez(at)stanford.edu) and Alfredo González-Ruibal (alfredo.gonzalez-ruibal(at)incipit.csic.es) Archaeology leans heavily on typologies and similarities. Narratives about cultural change, the spreading of ideas and diasporas are often linked to things that look alike but belong to different chronological or geographical frames. Material connections between “centers” and “peripheries”…